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Final Round of Grants Announced As Foundation Suspends Program

The Arch and Bruce Brown Foundation, which announced the suspension of its production grants program in May, is extremely pleased to announce the following ten grants—the final grants the foundation will award during 2018:

  • A grant to the Center for Independent Documentary, Boston, Mass., acting as fiscal agent, to assist in an upcoming workshop production of a new performance work, I Am Romeo/Casa Cushman, by writer-director Leigh Fondakowski. Inspired by historian Lisa Merrill’s book When Romeo was a Woman, the play follows the life of Charlotte Cushman, a famous 19th-century American actress, as she creates an artists’ commune in Rome where female artists can come live and work.
  • A grant to The Film Collaborative, acting as fiscal agent, to support the production of a fund-raising trailer for a multipart television series, Heroes & Heretics: Uncovering the History of Same-Sex Desire (working title). The series will illuminate the global history, from ancient times onward, of same-sex love and desire from a cross-cultural perspective. This hybrid documentary/narrative project is being produced by award-winning filmmakers Bennett Singer and David Deschamps.
  • A grant to Fractured Atlas, acting as fiscal agent, to help underwrite the production of The Gray Hours,by Alyson Mead. The play, which details the life, work, and activism of African-American lesbian playwright Lorraine Hansberry (author of A Raisin in the Sun), will be produced by Crooked Heart Theatre and mounted at the Atwater Village Theatre, Los Angeles, in the spring of 2019.
  • Another grant to Fractured Atlas, acting as fiscal agent, to help cover expenses for two upcoming productions of a new play, Lured, by Frank Avella. The play is based on real events that took place in St. Petersburg, Russia, in 2012–2014, when gay men were targeted by a vigilante group called Occupy Pedophilia. Lured will be performed at the OnStage! American Theater Festival in Rome, Italy, in January 2019; a prelude run will be staged in New York City in November of this year (dates and venue to be determined).
  • A grant to the International Documentary Association, acting as fiscal agent, to assist in the completion of a fund-raising trailer for a new documentary film, Disclosure: Trans Lives on Screen. The documentary weaves together clips from films dating back to 1914 with interviews with prominent present-day trans media figures like Laverne Cox and Jen Richards, revealing how Hollywood has simultaneously reflected and manufactured our society’s deepest anxieties about gender.
  • A grant to the Latino Theater Company, Los Angeles, to offset expenses for this fall’s world premiere production of Members Only, by Oliver Mayer. The play, a sequel to Mayer’s Blade to the Heart (1994), is set in New York City in the early 1980s and continues the story of gay Latino champion boxer Pedro Quinn.
  • A grant to Plan-B Theatre, Salt Lake City, Utah, to help fund the world premiere production of An Evening with Two Awful Men, by Elaine Jarvik. The play is a dark comedy in which the original worst-ever (and possibly first gay) president James Buchanan and actor-assassin John Wilkes Booth defend their (in)actions before a live studio audience. Performances are scheduled for February 21 through March 4, 2019. Special congratulations are extended to Plan-B, one of the few producing organizations to have received multiple grants from the foundation.
  • A grant to The Tank, New York City, acting as fiscal agent for Hysteria Theatre’s production of a new play, tender of you too, by Anya Richkind. Described as “a love letter to two real women from queer history, Frances Willard and Mary Bannister,” the play centers on the blossoming relationship between two teenage girls, Allegra and Tara, who portray Willard and Bannister in a high school play. Performances at The Tank are scheduled for July 24–29.
  • A grant to the Women and Theatre Program (WTP) of the Association for Theatre in Higher Education, acting as fiscal agent, for the editorial production of a two-volume anthology of plays that have won the WTP’s Jane Chambers Playwriting Award. The anthology, edited by Maya Roth and Jen-Scott Mobley, will be published by NoPassport Press; publication details to be announced. AABBF advisory board member Sara Warner will provide the anthology’s afterword.
  • And, finally, a grant to the Zeiders American Dream Theater, Virginia Beach, Va., acting as fiscal agent, to help support the production of The Orange Avenue Project, conceived and written by Connor Norton, Haley Sullivan, AJ Palacio, and Colin Asercion. The documentary-style piece is based on interviews with 17 people affected by the Pulse nightclub massacre in Orlando, Florida, on June 12, 2016. For more information on The Orange Avenue Project, visit its website.


Effective May 9, 2018, the Arch and Bruce Brown Foundation is suspending its production grants program. All grant proposals received before May 9 will be reviewed according to our usual process, and the organizations making those proposals may expect to hear back from the foundation over the coming weeks. We anticipate that we will again offer a limited grants program in 2019 and 2020. For details, please check this website after January 1, 2019.

The officers and advisory board of the foundation deeply regret this decision, made for the simple reason that, after 24 years, our resources have dwindled to the point that we can no longer fund the grants program. We are extremely proud of our work over the past two and a half decades, during which we have assisted more than 150 not-for-profit organizations in producing almost 200 individual works, including plays, musicals, performance works, fiction and nonfiction films and videos, operas, choral works, and other performing-arts events. We are equally proud of our grantees, who over the past quarter-century have so creatively mined LGBTQ history to fashion works that have informed and entertained LGBTQ audiences and the wider arts community.

For more information on the Arch and Bruce Brown Foundation, contact us.


The foundation is pleased to announce three new production grants for May 2018:

  • A grant to Enigma Theater Company, Monroe Township, N.J., to assist in the proposed production of The File on J. Edgar Hoover, by Steve Gold, at the Winterfest Festival in Manhattan in 2019. The play is a dark comedy based on the life of Hoover, the longtime FBI director, and his relationship with his associate Clyde Tolson.
  • A grant to (re)discover theatre, Chicago, Ill., to help support the production of its immersive theater piece Les Innocents/The Innocents. Described as an “epic queer romance,” Les Innocents/The Innocents is set in the Paris catacombs in the late nineteenth century. Performances will run from October 10 through November 4, 2018, at the Preston Bradley Center in Chicago. For more about (re)discover theatre, visit the company’s website.
  • A grant to SF Film, San Francisco, Calif., acting as fiscal agent, to help support Frankly Speaking Films’ production of a promotional video for its forthcoming documentary film Ahead of the Curve. The documentary focuses on the career of Franco Stevens, the woman who in 1990 founded the lesbian magazine Deneuve (later Curve).

Three New Grants Awarded in April

The foundation is pleased to announce three new production grants:

  • A grant to Diversionary Theatre, San Diego, Calif., to help support the San Diego premiere of Bull in a China Shop, by Bryna Turner. The play follows the lives and careers of Mount Holyoke College president Mary Woolley and her partner, Jeannette Marks, as the pair reform and revolutionize women’s education at the height of the suffrage movement. Inspired by letters Woolley and Marks exchanged from the 1890s through the 1930s, the play will have a four-week run in the fall of this year. For more information, consult Diversionary Theatre’s website.
  • A grant to the New York Musical Festival, New York City, to assist in the production of Sonata 1962, by Patricia Loughrey (writer) and Thomas Hodges (composer). Set in 1962, the musical centers on the devastating decision of a mother to try cure her musically talented daughter of the “mental illness” of homosexuality through electroconvulsive therapy. Sonata 1962 will receive five performances (July 29–August 5) at this year’s New York Musical Festival. Visit the festival website for more information.
  • A grant to the Theater for the New City, New York City, to support the production of Barbara Kahn’s new play, Verzets Amsterdam. The play recounts the true story of a lesbian and a gay man who formed a group of artists to resist the Nazi occupation of Amsterdam during World War II in order to save Dutch Jews from deportation and murder. The play runs from April 5 through April 22. For show times and tickets, visit the Theater for the New City’s website.

Director Ted Huffman Is New Arch and Bruce Brown Fellow

The MacDowell Colony has announced that theater and opera director Ted Huffman has been chosen as the recipient of the fourth, and final, Arch and Bruce Brown Fellowship. During his 2017 residency at MacDowell, Mr. Huffman worked with composer Philip Venables on a new piece based on Larry Mitchell’s 1977 underground classic The Faggots and Their Friends between Revolutions, a fanciful fable of radical queerness and communal life. Mr. Huffman and Mr. Venables’s previous work, an adaptation of Sarah Kane’s 4.48 Psychosis for the Royal Opera House, London, recently won the UK Theatre Award for Achievement in Opera. For more information on Mr. Huffman’s work, visit his website. The foundation extends congratulations to Mr. Huffman on the award.

Five New Grants and a Gift Announced for March 2018

The Arch and Bruce Brown Foundation is pleased to announce the following grants and a gift:

  • A grant to Columbia College Chicago to assist in the production of a student thesis film, Jack and Anna. Based on events that occurred in Colorado in 1913, Jack and Anna tells the story of a young queer couple who try to escape their small town when their secret is exposed.
  • A grant to Desert Rose Productions of Cathedral City, Calif., to help support the production of a new play, Dare, by Allan Baker. The play centers on an elderly gay man who suffers abuse from the staff of the nursing home where he lives and on the young gay doctor who helps him. Flashbacks from the older man’s life depict the evolution of gay culture from the early 1970s on. Performances are scheduled to run for four weeks, beginning on April 20. For more information, consult Desert Rose’s website.
  • A grant to Heartland Men’s Chorus of Kansas City, Mo., to help support the production of a new choral work, We, the Unknown, by Timothy C. Takach (composer) and Rob Hill and Pat Daneman (librettists). We, the Unknown ponders the question of who is buried in the Tomb of the Unknown Soldier—including asking whether he might have been a gay man. The work will be included in Heartland’s concert “Indivisible: Resistance & Remembrance,” a collaboration with the National World War I Museum & Memorial; the concert will feature male voices of the United States Army Soldiers’ Chorus. Performances are scheduled for June 9 and 10 at the Folly Theater in downtown Kansas City. Visit the Heartland Men’s Chorus website for more information.
  • A gift to Open Meadows Foundation of Brooklyn, N.Y., in memory of the Arch and Bruce Brown Foundation’s late vice president, Dr. Donna R. Barnes, who died in January. The donation will help Open Meadows establish a new playwriting prize for women. For more on the work of the Open Meadows Foundation, visit its website.
  • A grant to Sage Theatre of Calgary, Alberta, Canada, to help fund the production of a new play, Legislating Love (The Everett Klippert Story), by Natalie Meisner. Legislating Love tells the story of Calgary city bus driver Everett George Klippert, the last person to be jailed for homosexuality in Canada, and of a young historian who discovers Klippert’s case and becomes consumed with finding out more about him. The play will receive its world premiere production at the West Village Theatre in Calgary later this month, running from March 22 to March 31. More information can be found on Sage Theatre’s website.
  • A grant to Unique Projects, Inc., of New York City, to support a video project entitled Carmen & Roesia, which is being produced by the social media-based music, dance, and cinema company Avant Projekts. The video, which reimagines George Bizet’s opera Carmen, suggests that the reason Carmen is never satisfied with any man is because she is, in fact, a lesbian. When completed, Carmen & Roesia will be posted on Avant Projekts’ Facebook page.

Foundation Awards Three New Grants

The Arch and Bruce Brown Foundation is pleased to announce the following production grants for January and February:

  • A grant to Civic Ensemble of Ithaca, N.Y., to help support the production of The Loneliness Project, a documentary play, based on the verbatim testimony of more than 75 interviewees, that chronicles the history of Chicago’s LGBTQIA+ activist communities over the past 20 years. Co-produced by Civic Ensemble and Cornell University’s Department of Performing and Media Arts, The Loneliness Project will run for five performances (April 18–21), three on Cornell’s campus and two at a performance space in downtown Ithaca. For more information, visit this page.
  • A grant to Fractured Atlas, New York, N.Y., to help fund a workshop production of a new play, Mirrors, by Azure D. Osborne-Lee. The play centers on the lives of African-American lesbian women in the rural South during the 1960s. The workshop production will be presented at Theatre 80 St. Marks in New York City’s East Village on April 25, 2018, as part of this year’s Downtown Urban Arts Festival.
  • A grant to Women Make Movies, New York, N.Y., to help cover post-production costs for a new feature-length documentary film, All We’ve Got, directed by Alexis Clements. The film explores four queer women’s spaces founded in the 1970s and 1980s and still flourishing today—a lesbian bar in Oklahoma City, the Esperanza Center in San Antonio, and the Lesbian Herstory Archives and WOW Café Theatre in New York City.

Congratulations to the award recipients.

Foundation Vice President Donna R. Barnes Has Died

It is with immense sorrow that the officers and members of the advisory board of the Arch and Bruce Brown Foundation announce the death of our founding vice president, Donna R. Barnes. Dr. Barnes, 77, died at her home in Brooklyn, New York, on January 20. A longtime friend of AABBF founder Arch Brown (Arnold Krueger) and his companion Bruce Brown, Dr. Barnes was responsible for ensuring the foundation’s continuation and spearheading its re-creation following Arch Brown’s death in 2012. Dr. Barnes was professor emerita of education at Hofstra University in Hempstead, New York. Her passion was seventeenth-century Dutch painting; she curated several exhibitions of Old Master Dutch paintings in both the United States and the Netherlands. She also wrote a number of books on Dutch art and artists, including Matters of Taste: Food and Drink in Seventeenth-Century Dutch Art and Life (2002) and Childhood Pleasures: Dutch Children in the Seventeenth Century (2012), both coauthored with food historian Peter G. Rose and published by Syracuse University Press. A formidable cook, she loved nothing more than serving meals and hosting celebrations at her Brooklyn home. Dr. Barnes was predeceased by her life partner, Barbara Miller, with whom she traveled extensively and shared a beloved vacation home, Casa Bardoña, in Vieques, Puerto Rico. Her witty, wise, and comforting presence will be sorely missed by family, colleagues, former students, and many, many friends in the United States, the Netherlands, and elsewhere.

Foundation Announces Winners of 2017 Playwriting Competition

The board of the Arch and Bruce Brown Foundation is extremely pleased to announce the following winners of the foundation’s playwriting competition for 2017:

  • First Prize ($3,000): James Robert-Moore, of London, U.K., for Posterboy (Based on the Autobiography “Out in the Army”). This biographical play tells the story of James Wharton, one of the U.K.’s first openly gay servicemen, who campaigned to change the British military’s perception of and attitude toward LGBTQ soldiers.
  • Second Prize ($1,500; two second prizes awarded this year): Raquel Almazan, of New York City, for La Paloma Prisoner. Set in a Colombian prison, the play focuses on a lesbian inmate nicknamed La Paloma, convicted of killing men who raped girls. As she and other inmates prepare for a beauty pageant (an actual phenomenon in Colombian women’s prisons), the women’s stories testify to Colombia’s social, political, and spiritual history.
  • Second Prize ($1,500): Ben Noble, of Northcote, Victoria, Australia, for Member.  Told from the perspective of a queer-basher, Member presents a compelling, frightening portrait of a boy drawn into a murderous gang that preyed on gay men in the suburbs of Sydney, Australia. (The play features additional words by Rochelle Bright, Meg Courtney, Bjorn Deigner, Dan Giovannoni, Elise Hearst, and Finegan Kruckemeyer.)
  • Honorable Mention ($500; three honorable mentions awarded this year): Christina Quintana, of New York City, for Azul.  This intimate “memory play” explores the interplay of generations as Zelia and Lore, a Latina lesbian couple in present-day New York City, search for Zelia’s aunt, a lesbian who remained in Cuba after the Castro revolution.
  • Honorable Mention ($500): Jack Rushen, of Stratford, Connecticut, for Taming the Lion. Set in Hollywood in 1930, the play centers on the attempt by MGM studio head Louis B. Mayer to pressure movie star William “Billy” Haines into a “lavender marriage” designed to hide Haines’s homosexuality.
  • Honorable Mention ($500): Mark Saltzman, of Studio City, California, for Falling for Make Believe: The Life and Songs of Lorenz Hart. Interweaving the words from Broadway lyricist Lorenz Hart’s songs with dramatic action, the play investigates the relationship between Hart and his composer-partner, Richard Rodgers, and recovers the tragic story of Hart’s private life as a closeted gay man beset by loneliness and alcoholism.

In addition to the prizewinning playwrights, six others made it into the competition’s final round: E. H. Benedict, for The Story of Harley Procter and His Floating Soap as Re-Enacted by Two Women of Color; Tom Carney, for Uncle Charlie; Lee Doubell, for Cottage by the Sea; Cheri Magid, for The Gaba Girl; Helen Valenta, for Beautiful Man; and Kyle T. Wilson for War and Jim.

The foundation extends congratulations to all the winners and finalists and thanks all 146 playwrights from across the United States and around the world who submitted work to this year’s competition. This marks the final year of the Arch and Bruce Brown Foundation’s competition, launched in 1996. (The foundation’s production grant program will continue.) A full list of competition prizewinners can be found on the Competition Awards page of the website.

Arch Brown Memoir A Pornographer Is Published

A long-lost memoir by the Arch and Bruce Brown Foundation’s founder, Arch Brown, has just been published by Chelsea Station Editions, New York. Written sometime during the late 1970s, A Pornographer recounts Brown’s early career as a director of sex films (both gay and straight) and his interactions with the men and women who appeared in his movies. The memoir’s manuscript was discovered among Brown’s papers following his death in the fall of 2012. A historical gem, A Pornographer provides an insightful psychological view of the performers who were drawn to having sex in front of Brown’s camera. The book features an introduction by Chelsea Station publisher (and AABBF advisory board member) Jameson Currier, an afterword by AABBF president James Waller, an extensive filmography, and many of Brown’s photographs, including shots taken on the sets of several of his films.

Chelsea Station Editions is an independent publisher devoted to gay literature. For more information about the book, or to order directly from the publisher, visit the Chelsea Station Editions websiteA Pornographer is also available from and

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